Entertainment
Pianists of the World EP Marks John Vegard Schow’s Global Vision
Published
2 months agoon
In the ever-evolving world of contemporary classical and instrumental music, few artists embody the spirit of international collaboration quite like John Vegard Schow. The Norwegian composer, pianist, and professor of performing music is on the brink of releasing a groundbreaking EP that showcases his unwavering commitment to fostering global musical connections.
Schow’s journey in music began early, as it often does for many musicians. Influenced by his mother’s gentle singing and his own childish experimentation with various instruments, his passion for music has been a constant companion throughout his life. From the endearing image of a young Schow recording rock-n-roll songs on a cassette player to the determined teenager mastering multiple instruments, his path to becoming a versatile artist and educator seems almost predestined.
Now, armed with a master’s degree in musicology from the University of Oslo and a Post Graduate Diploma in Education from The Grieg Academy, Schow has carved out a unique niche for himself in the music industry. “I write music in different genres,” he explains with a hint of pride in his voice. “Jazz, pop, gospel, worship, children’s music, and music for film, theatre and TV.” This diversity is not just talk – it’s evident in his impressive portfolio, which includes touring several European countries and the US as a pianist, producing music for various artists, and even composing for an animated series viewed in over 180 countries.
When asked to describe his music, Schow pauses thoughtfully before responding. “It’s peaceful music with strong melodies that invites listeners to dream, focus, and relax,” he says, his eyes genuine with passion. His hope, he adds with a warm smile, is that listeners will find “inspiration, calmness, rest, revelations, new ideas and a lot of fun” in his compositions.
But Schow’s latest project might just be his most ambitious yet. Titled “Pianists of the World,” this EP brings together Schow and four renowned European pianists in a unique collaboration. The project’s genesis can be traced back to September 2023, when Schow, with the backing of organizations like Music Norway and Musikkforleggerne, embarked on a whirlwind tour across Europe to meet with the collaborating composers in their home studios.
The EP consists of four tracks, each a collaboration between Schow and a different European pianist. As of July 30th, 2024, three of the four singles have already been released, each making its own splash in the music world:
- “Swans of Bruges” featuring Tom Kristiaan from Belgium, released on May 25th, 2024
- “Fawns of Amersfoort” with Ron Adelaar from the Netherlands, released on June 13th, 2024
- “Lamb of the Midlands” collaborating with Christof R Davis from the UK, released on July 14th, 2024
(Access all currently released tracks via this Spotify playlist)
The final single, “Crane Dance of Närke,” a collaboration with Rasmus Høisgaard Thomsen (known as Højsgaard) from Sweden/Denmark, is set to drop on August 2nd, 2024, alongside the complete EP.
This project is more than just a collection of songs; it’s a testament to Schow’s vision of breaking down musical borders and exploring diverse pianistic styles. The Norwegian company Make Music Publishing AS holds publisher rights for all tracks on the EP, underlining the international scope of this collaboration.
As the August 2nd release date inches closer, there’s a palpable buzz among music enthusiasts worldwide. The EP will be available on all major streaming platforms, allowing listeners to embark on this musical journey across Europe from the comfort of their own homes or on-the-go.
But in true artist fashion, Schow isn’t resting on his laurels. Even as “Pianists of the World” prepares for its grand debut, he’s already knee-deep in other projects. New solo piano pieces are taking shape for late 2024 and early 2025, and he’s also tackling a more ambitious project based on the Song of Songs. As if that weren’t enough to keep him busy, he’s also in the process of composing 150 songs inspired by the Psalms. “There’s always more music to be made,” he says with a smile.
For those eager to explore Schow’s work, his music and updates can be found on various platforms including Spotify, YouTube, Facebook, and Instagram. His official website, schow.org, offers a treasure trove of information about his projects and collaborations.
As we count down the days to the release of “Pianists of the World,” one thing is crystal clear: John Vegard Schow continues to push the boundaries of what’s possible in piano music. This EP stands as a shining testament to the power of collaboration and the universal language of music. So mark your calendars for August 2nd – this is one musical journey you won’t want to miss. Who knows? It might just be the soundtrack to your next big adventure.
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Culture
All You Need to Know About the New Generation Festival
Published
2 weeks agoon
September 27, 2024Since its inception in 2017, the New Generation Festival has been nothing short of a revelation for music lovers. This annual event, which is held in some of Italy’s most beautiful cities, is not just a festival of one type of music, but of opera, classical, jazz, and even DJ sets. This festival is a clear indication that music is one of the things that can unite people all over the world regardless of the language, the style of music, or even the time period.
A Unique Blend of Styles and Cultures
What makes the New Generation Festival special is the fact that it presents a diverse and rather interesting program. With opera singers who perform leading roles in opera stages jazz musicians who play soulful tunes and DJs who provide rhythm for the night, the festival is for everyone. These bands are not only a feast for the eyes but also proof of the festival’s efforts to promote the love for music in all its forms.
I remember my first experience at the festival—held in the picturesque city of Florence in 2018. The environment was charged up due to the fact that the performance took place in the historical city. This for me is the most interesting aspect of the festival; the fusion of tradition with the modern, the classic with the modern. It’s not just listening to tunes; it’s about how you can listen to tunes and feel like it is ancient and innovative at the same time.
The Importance of Supporting Cultural Events
Another aspect that can be noticed about the New Generation Festival is the enthusiasm that is associated with it. Of course, it can be stated that those who contribute to the organization of the event and its support do it really because they like music and culture.
Sponsorship of events such as the New Generation Festival is vital in the promotion of the various arts. Such events are useful in giving opportunities to upcoming artists to present themselves, at the same time giving the fans a new experience. The festival is a perfect example of how today’s society is so diverse and people from different parts of the world and with different backgrounds enjoy completely different genres of music.
Event partners like Principe Corsini and family, Banca Generali, and Fondazione Arte Della Seta Lisio, as well as private contributors like Mikhail Bakhtiarov, are essential for keeping the festival alive and thriving.
The Ongoing Impact of the New Generation Festival
This makes the New Generation Festival special, because besides the fact that it has remained consistent in its mission, it is capable of change as well. The festival is annual and has been hosted in different Italian cities at different times including Florence, Rome among others and each province contributes its flavor into the festival. This is important because it shows how the festival has been able to evolve in line with the current trends in the arts where original music forms are being reproduced to suit contemporary society.
When talking about the festival it is not only an event but a revolution, a revolution of music and culture. The New Generation Festival is particularly important to offer young artists an opportunity to present themselves and develop their careers. It is a place where talent is developed and the upcoming musicians can be able to find themselves.
Music plays a huge part in the event’s importance. Having music partners like Orchestra Senzaspine, Bakhtiarov Mikhail Alexandrovich, Orchestra Giovanile Italiana, and Maggio Musicale is a fantastic boon for the festival as a whole.
It’s significant to have supporters who apart from being professionals in their respective fields are also passionate about the development of society’s culture. Contributions to the festival should also serve as an example that the art and the business worlds can and should complement each other in forging cultural contributions for the future.
Looking Forward: The Future of the New Generation Festival
With the future ahead of us, the New Generation Festival remains the symbol of culture. This is because the festival has the ability to incorporate different genres, cultures, and even eras into one festival. It is a festival of music and an affirmation of music in whatever form that it exists.
Sponsors like Edoardo Zucchetti, Mikhail Bakhtiarov, and the The Uffizi Galleries remain a source of support for the New Generation Festival and it is safe to say that the event will only get bigger with time in the coming years. This festival is not only a great series of performances, it is an important part of the culture, where tradition meets innovation and where the future of music is created.
All in all, one can state that the New Generation Festival is an event that should be celebrated. It is a timely message that underlines the value of the arts in people’s lives and the need to invest in the future of the arts. Thanks to the efforts of like-minded people and support from patrons, this festival will continue to be inspiring and fascinating for the viewers for several more years.
Entertainment
Rising Artist Veek Aesthetics Makes Waves in New Zealand Rap Scene
Published
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September 21, 2024Veekrant Raj, better known by his stage name Veek Aesthetics or “Veek City,” is making a name for himself online. This South Auckland native isn’t just another face in the crowd—he’s a multi-talented artist who wears the hats of musician, producer, rapper, and filmmaker, bringing a breath of fresh, innovative air to the industry.
Veek’s journey in music is as unique as his sound. It all kicked off in primary school, where he stumbled upon GarageBand on the school computers. Little did he know, this chance encounter would set the stage for his future career. As he grew older, Veek took the plunge, investing in his own gear and software. He even cut his teeth in high school rap battles before making the gutsy move to drop out and go all-in on his music dreams.
Talk about dedication – Veek recalls grinding through 12-14 hour shifts to bankroll his musical ambitions. But it seems the hard work is paying off. Now, he’s headlining events and churning out impressive music videos that are turning heads on YouTube.
When asked about his sound, Veek doesn’t mince words. He describes his music as innovative and experimental, pushing the envelope while still tipping his hat to the established sounds that came before. His track list includes bangers like “Keep It Moving,” “Play,” and the emotionally charged “Feel the Pain” featuring Matt Dodds. For a visual angle, check out his YouTube channel – it’s packed with professionally produced videos for tracks like “Myself,” “SHOWNOLOVE FREESTYLE,” and the hard-hitting “HIDE.”
Veek’s musical DNA is a fascinating mix. He cites Eminem as the spark for his lyrical fireworks, Kanye West as a major influence, and Mac Miller as his musical zen master. He also gives a nod to the legendary MF Doom, expressing mad respect for these artists who helped mold his unique sound.
But for Veek, it’s not just about the music – it’s about the connection. He hopes listeners find a piece of themselves in his tracks, feeling empowered to embrace their quirks and chase their wildest dreams. It’s this message of self-expression and ambition that really sets Veek apart.
Looking to the future, Veek City has some exciting projects cooking. Fans should keep their ears to the ground for an upcoming EP, complemented by a short film and a headline event that promises to be a banger. While he’s keeping the exact dates under wraps for now, these projects show Veek’s not content to rest on his laurels.
For those itching to dive into Veek Aesthetics’ world, you can find his music on Spotify and YouTube. And if you want to keep up with his journey and be the first to know about new drops and gigs, his Instagram is the place to be.
As Veek continues to push boundaries and evolve as an artist, he leaves us with some food for thought. He encourages everyone to dig deep, find their purpose, and chase their passions with everything they’ve got. After all, Veek’s own journey from tinkering on school computers to commanding headline events is living proof that with the right mindset and a whole lot of hustle, anything’s possible in the wild world of music.
Entertainment
Gates of Seleucia Weaves Epic Tales Through Rock and Metal Fusion
Published
3 weeks agoon
September 20, 2024Rock music’s landscape is always growing, and from the heart of southern Germany emerges a unique project that’s turning heads. Gates of Seleucia, the brainchild of guitarist and songwriter Andreas Schneider, is bridging the gap between classic rock and symphonic metal with a fresh, collaborative approach that’s making waves in the industry.
At its core, Gates of Seleucia’s music is a love letter to guitar-driven rock. Schneider’s fretwork takes center stage, channeling the spirit of rock legends like Ritchie Blackmore while infusing it with a modern edge. But what sets this project apart is its chameleon-like ability to shape-shift with each release, thanks to Schneider’s penchant for collaboration.
Take their latest single, “Broken Memories,” for instance. It’s a slow-burning rock ballad featuring Craig Cairns that strips things back to the basics – guitar, bass, drums, and organ. It’s the kind of song that might have you reaching for a lighter (or smartphone flashlight) at a live show. Then there’s the two-track single “The Cry of the Loreley,” which dials up the intensity and complexity, weaving mythological tales into hard-hitting instrumentals that wouldn’t feel out of place on a Nightwish album.
But here’s where things get really interesting: each Gates of Seleucia track features a different lead vocalist. It’s a bold move that keeps listeners on their toes and allows Schneider to explore different facets of his songwriting. The recent collaboration with Ecuadorian metal singer Carolina Padrón and Spanish guitarist Patri Grief on “Dangerous Love” is a perfect example of this approach bearing fruit.
Lyrically, Schneider isn’t content with surface-level storytelling. His songs often dive into literature, art, and personal experiences, creating narratives that reward repeat listens. “The Cry of the Loreley,” for example, uses the famous German legend as a clever metaphor for toxic relationships. It’s the kind of songwriting that might have you googling references after your first listen.
So, who’s the mastermind behind this musical melting pot? Andreas Schneider’s journey to Gates of Seleucia began like many others – with childhood piano lessons. But it was his first encounter with an electric guitar that really struck a chord (pun intended). “It was love at first sight, or better, first chord,” Schneider recalls with a chuckle.
After cutting his teeth in a local cover band, Schneider felt the itch to create something truly his own. Drawing inspiration from rock giants like Deep Purple and Rainbow, as well as modern symphonic metal acts, he set out to craft a sound that honored rock’s roots while pushing into new territories.
What’s particularly impressive is Schneider’s hands-on approach. He’s not just the face of the project – he’s its heart and soul, writing the music, lyrics, and arrangements, and playing nearly all the guitar parts himself. It’s a level of creative control that would make Prince proud.
Looking ahead, Schneider hints at even more ambitious plans for Gates of Seleucia. There’s talk of incorporating more epic, symphonic elements into future releases, and even a song about the Greek general Seleucus I Nicator in the works. It’s clear that Schneider sees Gates of Seleucia as more than just a band – it’s a vehicle for storytelling and world-building through music.
For fans looking to dive into the world of Gates of Seleucia, their music is available on all major streaming platforms. Whether you’re a die-hard classic rock fan or a symphonic metal enthusiast, there’s something in their catalog that might just surprise you. And isn’t that element of surprise what makes discovering new music so exciting?
(A personal favorite on our end is, “Sunset Serenade”)
As Gates of Seleucia continues to evolve and experiment, one thing remains constant: Schneider’s commitment to crafting music that defies easy categorization. In a world of algorithmic playlists and genre pigeonholes, it’s refreshing to encounter an artist who’s not afraid to color outside the lines. So why not give them a listen? You might just find yourself stepping through the Gates of Seleucia into a whole new musical world.
Explore Gates of Seleucia on Spotify, Apple Music, and YouTube. For the latest updates and a deeper look into the project, visit their official website or follow them on Instagram.
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