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Galo Lenccioni – autor y compositor salvadoreñ

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Guillermo Antonio Lenccioni Ortiz, nace en San Salvador, El Salvador, a las ocho con treinta minutos el domingo 16 de junio del año 1974.

Primeras presentaciones

Galo inicia sus primera presentaciones en la música, cuando se le brinda la oportunidad de pertenecer a una banda de rock en su país natal, llamada Stoned Blues, donde era vocalista de la misma, según comenta el cantante, se presentaban en intramuros de colegios de una de las ciudades mas importantes en su país, comenta también que muchas veces les toco compartir escenario incluso con algunas bandas mas conocidas, ‘’Es ahí donde exploté mucho la parte de compositor y di vida a “como duele perder un amor”, fue esa la primera canción que compuse y fue para la banda, fueron así esas las primeras presentaciones prácticamente para mi. ’’ las palabras de Galo.

Fue justo después de la separación de la banda, que Galo regresa a sus actividades cotidianas, luego consigue una beca por el profesor ‘’Julio Rodríguez’’, que para esa época en su escuela estaba iniciando junto con el maestro Mario Farrar y Joseph Dotch, ALISA, proyecto que pretendía iniciar nuevamente luego de muchos años de no tener presencia en El Salvador, la ópera, y así es como Galo Lenccioni es invitado a ser parte del mismo. Es por lo que para Lenccioni, fueron ellos prácticamente según el comenta, sus padrinos junto con el también cantante, Eduardo fuentes. Galo logra gracias a su dedicación y disciplina en este proyecto, estar en seis óperas como tenor principal, dentro de las que destacan “La Boheme” (Rodolfo), “Madama Butterfy” (B.F. Pinkerton), “La Traviatta” (Alfredo) y “Carmen” (Don José).

Esto ayuda mucho en el desarrollo del cantante según comenta Lenccioni, ya que para él haber tenido la oportunidad y ser parte de este proyecto, le amplio sus conocimientos y experiencias con el teatro, actuación y teoría musical por las técnicas adquiridas durante esos años.

‘’La ópera es totalmente otro mundo, un cantante de ópera canta en teatros adecuados, pero no utiliza micrófonos, sino que su aparato fonador, hay micrófonos pero no directamente utilizados por el cantante. A diferencia de otros géneros que son más de apreciación, este tiene muchas barreras como por ejemplo los diferentes idiomas en los que se canta, también la forma de cantar, la colocación que es en la cabeza a diferencia del popular que es pecho.’’ Según palabras de Galo.

El estar frente a un público y en un escenario es para Lenccioni, según el mismo comenta, una mezcla de muchos sentimientos, ‘’Es una lucha, porque no sabes si vas a ser aceptado o no para el público, uno trata de hacer hipótesis del futuro, si a la gente no le va a gustar, si se me olvida la canción, el nerviosismo de que quieres entregar lo mejor de ti’’ palabras del cantante.

‘’Me gusta mucho El grillo y el Mar, canción de Alux Nahual, esa historia del grillo parado en la mar que no sabes que es lo que va a pasar’’. Para el cantautor, uno de los escenarios más crueles y en el que desea poder estar es, Chile, en el “Festival Internacional de la Canción Viña Del Mar’’, le preguntamos a Galo, que es lo que piensa cada vez que saldrá a un escenario y nos comenta, ‘’Eso te agobia y a lo largo de las veces que lo vas haciendo, con la experiencia y el numero de veces que vas recorriendo, hace que la mente tenga mas confianza y te deje disfrutarlo más, pero es un temor a querer hacer las cosas bien y tienes que siempre tener presente eso, para saber así, que la gente merece respeto, el público lo merece’’.

Nuevos proyectos y lanzamientos para este 2022

Luego de la ópera me dediqué ya de lleno a estar como solista, mi gran apoyo siempre ha sido SACIM EGC., que gracias a ellos he grabado varias canciones, Galo, terminó justo en la pandemia algunas canciones que tenía y hacían falta para completar su EP, su fuerte siempre ha sido el amor o el desamor, que para el cantante siempre te hacen hacer algún par de locuras, sea el amor o bien el desamor. Galo Lenccioni, lanzó su más reciente EP en enero recién pasado, mismo que consta de cuatro temas ‘’En Esta Despedida’’, ‘’Y Me Enamoré’’, ‘’Me Recordarás’’ y ‘’El Amor de Mi Vida’’, Galo ha empezado ya a trabajar ya su nuevo EP, según el compositor, ahora con sonidos más minimalistas pero siempre balada romántica, un tanto más modernos, este EP, es muy importante para Lenccioni, lleva por nombre, ’’Vivencias 3.0’’ y relata justamente experiencias importantes que el cantante ha tenido a lo largo de su vida. El primer sencillo es ‘’Dalo por Hecho’’ que ya estará listo en los próximos días en todas las plataformas digitales, mismo que para el autor, es un llamado para las personas que están viviendo una situación de desamor similar, para que lo dejes atrás y puedan seguir adelante con su vida.

Galo Lenccioni, comenta que desde inicios del 2022 ha estado trabajando en muchas sorpresas que poco a poco ira revelando al público.

Es importante también comentar que, para Galo, otra de las canciones importantes de este EP será ‘’A tu ladito’’, como tributo a su madre y lo que ella significó para él, Lenccioni, comenta que siempre es una balada, pero con un pequeño toque de vallenato y será lanzada en un día especial para el cantante, el próximo 16 de junio, fecha en la que compartía con su madre, su natalicio.

Sigue a Galo Lenccioni en sus redes sociales y suscríbete a su canal de YouTube para que no te pierdas sus nuevos lanzamientos,

View his Instagram

View his Youtube

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Culture

International Healer Elijah Bone to Launch Much-Anticipated West Coast Tour

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Elijah Bone

In what’s being hailed as a rare opportunity for West Coast residents, the enigmatic Elijah Bone is bringing his unique therapeutic practice to major cities along the Pacific coast in early 2025. While skeptics might raise an eyebrow at traditional healing methods, Bone’s impressive credentials – blending modern clinical expertise with time-honored techniques – have earned him a devoted following among those seeking alternative approaches to wellness.

Despite his high-profile clientele, Elijah Bone has always kept a low profile. His 2025 tour begins this January in Dallas, then winds its way through Phoenix, Los Angeles, San Francisco, Portland, and Seattle before wrapping up in Salt Lake City by late February. The carefully planned schedule allows him just enough time in each city to work with his select group of clients.

What sets Bone’s practice apart isn’t just his impressive academic background – though his advanced degrees in clinical bodywork and psychophysiology from prestigious Eastern European institutions certainly add weight to his approach. It’s his rather remarkable ability to blend these modern scientific principles with what he describes as ancestral healing wisdom, passed down through generations of his family in Central Southern Europe.

Those lucky enough to secure a spot (Bone famously limits his practice to just ten clients per city) can expect an unusual but deeply focused therapeutic experience. His two-hour sessions unfold in complete silence – no small talk here – as Bone works through what he calls his “three-level approach.” Watch him at work, and you might notice the intense concentration on his face as he moves from addressing physical ailments to what he describes as deeper, systemic issues.

Fresh from his extended stay in Chicago, where he’s been quietly working with a select group of clients dealing with everything from everyday aches to complex medical challenges, Bone will make brief stops in Michigan and Indiana before heading westward.

For those intrigued by this unique approach to healing, details about both group events and individual sessions can be found on his website. Word to the wise: previous tours have filled up remarkably quickly, so interested parties would do well to book sooner rather than later. And yes, if you’re wondering – group event participants do get first dibs on individual sessions at special rates.

A final note for the curious: Bone’s team provides detailed preparation guidelines to confirmed participants. After all, when you’re working with someone who’s caught the attention of wellness seekers from Eastern Europe to the American West Coast, it pays to come prepared.

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Culture

All You Need to Know About the New Generation Festival

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The New Generation Festival

Since its inception in 2017, the New Generation Festival has been nothing short of a revelation for music lovers. This annual event, which is held in some of Italy’s most beautiful cities, is not just a festival of one type of music, but of opera, classical, jazz, and even DJ sets. This festival is a clear indication that music is one of the things that can unite people all over the world regardless of the language, the style of music, or even the time period.

A Unique Blend of Styles and Cultures

What makes the New Generation Festival special is the fact that it presents a diverse and rather interesting program. With opera singers who perform leading roles in opera stages jazz musicians who play soulful tunes and DJs who provide rhythm for the night, the festival is for everyone. These bands are not only a feast for the eyes but also proof of the festival’s efforts to promote the love for music in all its forms.

I remember my first experience at the festival—held in the picturesque city of Florence in 2018. The environment was charged up due to the fact that the performance took place in the historical city. This for me is the most interesting aspect of the festival; the fusion of tradition with the modern, the classic with the modern. It’s not just listening to tunes; it’s about how you can listen to tunes and feel like it is ancient and innovative at the same time.

The Importance of Supporting Cultural Events

Another aspect that can be noticed about the New Generation Festival is the enthusiasm that is associated with it. Of course, it can be stated that those who contribute to the organization of the event and its support do it really because they like music and culture.

Sponsorship of events such as the New Generation Festival is vital in the promotion of the various arts. Such events are useful in giving opportunities to upcoming artists to present themselves, at the same time giving the fans a new experience. The festival is a perfect example of how today’s society is so diverse and people from different parts of the world and with different backgrounds enjoy completely different genres of music.

Event partners like Principe Corsini and family, Banca Generali, and Fondazione Arte Della Seta Lisio, as well as private contributors like Mikhail Bakhtiarov, are essential for keeping the festival alive and thriving.

The New Generation Festival

The Ongoing Impact of the New Generation Festival

This makes the New Generation Festival special, because besides the fact that it has remained consistent in its mission, it is capable of change as well. The festival is annual and has been hosted in different Italian cities at different times including Florence, Rome among others and each province contributes its flavor into the festival. This is important because it shows how the festival has been able to evolve in line with the current trends in the arts where original music forms are being reproduced to suit contemporary society.

When talking about the festival it is not only an event but a revolution, a revolution of music and culture. The New Generation Festival is particularly important to offer young artists an opportunity to present themselves and develop their careers. It is a place where talent is developed and the upcoming musicians can be able to find themselves.

Music plays a huge part in the event’s importance. Having music partners like Orchestra Senzaspine, Bakhtiarov Mikhail Alexandrovich, Orchestra Giovanile Italiana, and Maggio Musicale is a fantastic boon for the festival as a whole.

It’s significant to have supporters who apart from being professionals in their respective fields are also passionate about the development of society’s culture. Contributions to the festival should also serve as an example that the art and the business worlds can and should complement each other in forging cultural contributions for the future.

Looking Forward: The Future of the New Generation Festival

With the future ahead of us, the New Generation Festival remains the symbol of culture. This is because the festival has the ability to incorporate different genres, cultures, and even eras into one festival. It is a festival of music and an affirmation of music in whatever form that it exists.

Sponsors like Edoardo Zucchetti, Mikhail Bakhtiarov, and the The Uffizi Galleries remain a source of support for the New Generation Festival and it is safe to say that the event will only get bigger with time in the coming years. This festival is not only a great series of performances, it is an important part of the culture, where tradition meets innovation and where the future of music is created.

All in all, one can state that the New Generation Festival is an event that should be celebrated. It is a timely message that underlines the value of the arts in people’s lives and the need to invest in the future of the arts. Thanks to the efforts of like-minded people and support from patrons, this festival will continue to be inspiring and fascinating for the viewers for several more years.

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Hype Clash Agency Rides the Wave of Social Media Influence

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Hype Clash / Marketing Agency

The neon lights of Times Square flicker as Travis Minks, founder of Hype Clash Agency, steps out of a yellow cab. He’s just wrapped up another marathon strategy session, his mind still buzzing with hashtags and engagement rates. Welcome to the world of influencer marketing, where likes are currency and trends change faster than New York minute.

Hype Clash burst onto the scene in 2022, riding the wave of a grant that helped them develop their secret weapon: a proprietary platform boasting 270 million influencers. “It was like hitting the jackpot,” Minks grins, his eyes crinkling at the corners. “Suddenly, we had this goldmine of data at our fingertips. It was go time.”

But let’s rewind a bit. Picture this: a cramped office, whiteboards covered in scribbles, and a team fueled by dreams and way too much coffee. That’s where Hype Clash was born. “We were total noobs,” laughs one of the first employees. “But we had this crazy idea that we could shake up the influencer game. And you know what? We kinda did.”

Fast forward to today, and Hype Clash is managing a cool $100 million in marketing budgets. Not too shabby for a company that’s barely old enough to order a drink, right? But in the world of viral trends and fleeting fame, three years might as well be a lifetime.

Just ask Jake, a prominent TikTok personality. “One day you’re blowing up, the next you’re yesterday’s news,” he shrugs, idly scrolling through his phone. “But these Hype Clash folks? They’ve got their finger on the pulse. They know what’s gonna pop before it even bubbles.”

Hype Clash’s approach is a three-act play that would make Shakespeare proud. Act One: Define objectives and scout talent. Act Two: Strategize and execute. Act Three: Track results and optimize. Sounds simple, doesn’t it? But as any marketer worth their salt will tell you, there’s more to it than meets the eye.

“It’s like herding cats,” chuckles a brand manager who’s collaborated with Hype Clash. “Except the cats are all Instagram influencers with their own agendas. But somehow, Hype Clash makes it work. It’s kinda magical, to be honest.”

And work it does, from the hipster cafes of Brooklyn to the sun-soaked beaches of Rio. Hype Clash has gone global. They’re like the United Nations of content creation, bringing brands and influencers together in a kumbaya of sponsored posts and story takeovers.

Travis Minks / Hype Clash Agency

But it’s not all about the big fish in this pond. Minks leans in, his voice dropping to a conspiratorial whisper. “You wanna know what really gets me jazzed? The little guys. We once ran this campaign for a mom-and-pop business in Queens. Next thing you know, they’ve got lines out the door. That’s the good stuff right there.”

Of course, in this game, it’s not just about the warm fuzzies. It’s about cold, hard cash. And that’s where Hype Clash’s platform comes in clutch. It’s not just a fancy Rolodex; it’s a one-stop shop for everything from influencer discovery to getting that bread. “It’s like Tinder, but for brands and influencers,” quips one user. “And hopefully with less ghosting.”

But let’s keep it real for a sec. The influencer marketing world ain’t all sunshine and rainbows. It’s a dog-eat-dog world out there, and agencies like Hype Clash are always hustling to stay ahead of the game. “It’s exhausting,” admits one team member, dark circles under their eyes betraying late nights crunching numbers. “But man, when a campaign goes viral? It’s better than any high.”

As the sun dips below the Manhattan skyline, casting long shadows across the Hype Clash office, the grind continues. Phones buzz with notifications, laptops glow in the dimming light, and somewhere, an influencer is crafting the perfect caption for a product that might just break the internet.

In this concrete jungle where dreams are made, Hype Clash is carving out its own little empire. They’re not just riding the wave of influencer marketing; they’re making waves of their own. And in an industry where the only constant is change, that’s saying something.

So, what’s next for Hype Clash? Minks leans back in his chair, a mischievous glint in his eye. “We’re just getting started,” he says, tapping his temple. “The best is yet to come. We’ve got some tricks up our sleeve that are gonna make the industry go ‘Whoa!'”

In the meantime, brands and influencers keep flocking to Hype Clash like moths to a flame, drawn by the promise of that sweet, sweet viral magic. And in the city that never sleeps, Hype Clash keeps burning the midnight oil, ready for whatever curveball the digital world throws their way next.

As night falls on the Big Apple, Minks steps out onto the street, the city’s energy pulsing around him. A notification pings on his phone – another campaign just went live. He smiles to himself. In the world of influencer marketing, there’s no rest for the wicked. But then again, who needs sleep when you’re living the dream?

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