There’s a particular kind of power that comes from staying quiet in an industry built on noise. Camden Harris figured that out early. The 25-year-old A&R consultant and entrepreneur has touched projects that collectively surpassed two billion streams, worked alongside David Guetta, Lauv, Inna, Shaboozey, and Jason Derulo, and built companies operating across 50 countries. You’ve probably never heard his name. That’s exactly how he wants it.

Based between Luxembourg, Dubai, Georgia, and Los Angeles, Camden runs a collective of nine producers and eight recording artists who create upwards of a hundred studio productions every month. These tracks get pitched to major labels and artists worldwide. Some become hits under other people’s names. That’s the ghost production game, and Camden takes it seriously. He rarely speaks about the high-profile work.

“Music is about honesty,” he says. “I’m just here to make sure the right songs find the right homes.”

What’s interesting is how Camden Harris applied that same behind-the-scenes approach to his business ventures. He founded Atlas Advisory Group, a company based in Batumi, Georgia, that operates in more than 50 countries. The firm helps entrepreneurs restructure their lives internationally, handling everything from tax optimization to residency planning. It’s the kind of work that lets people build businesses without being locked into one location or tax system.

“What started as helping a few friends relocate their companies turned into a global advisory model,” Camden explains. “Atlas is about freedom, building a life that you own, not one that owns you.”

His second company, Marketime Global, handles digital marketing and brand storytelling from the U.S. The client list ranges from small restaurants to international artists. Camden describes his approach as less about loud marketing and more about creating depth. “I care about the kind of marketing that makes people feel something even years later,” he says.

But before the companies and the consulting work, there was a different story. Camden spent years battling severe depression and panic attacks that left him unable to leave his home. “There was a point where I didn’t think I would survive another week,” he admits. “But pain taught me everything success never could.”

He credits his wife and therapy with helping him rebuild. Today, he’s a father, and he’s clear about what matters. “My wife and son remind me what matters. All the business growth, all the music, it’s meaningless if you lose your peace.”

Earlier this year, Camden Harris became a Voting Member of The Recording Academy (GRAMMYs), and he accepted a position as Executive Director of Artist Development and Recording at a leading artist management school. He doesn’t frame these roles as achievements. “They’re about responsibility,” he says. “Shaping what excellence means for a new generation of creatives.”

Camden keeps a tight circle. Three real friends, he says. Everyone else is business or energy passing through. He laughs when people call him mysterious. “I’m not mysterious,” he says. “I just protect my peace. That’s my luxury.”

Camden Harris built something different. He learned that the strongest foundation isn’t built in the spotlight. It’s built in silence, brick by brick, with people who matter and work that lasts. From the boy who couldn’t leave his room to the man steering companies across continents, he proved that you don’t need to be loud to leave a mark. You just need to know what’s worth protecting.

Follow Camden Harris at @camdenhere or connect with Atlas Advisory Group.

Levi Lobo just wrapped his first leading role, and it’s personal in more ways than one.

The Albuquerque-born actor stars in “The Weight Of It All,” an indie feature that filmed across New Mexico this summer—including in the childhood home he built with his late father. The thriller, directed by Joel Hager and co-produced by Lobo alongside Dannie McCallum, tells the story of Luna and Alfi, a couple torn apart by trauma. When Alfi emerges from prison and seeks out Luna at her sober living house, she’s forced to decide whether people can truly change.

“Filming in the Trumbull community and the home I built with my father was a profoundly personal journey,” Lobo said. “It allowed me to weave a story of perseverance and resilience, grounded in the soul of New Mexico.”

The production employed roughly 40 New Mexicans, shooting on location in Albuquerque, Tijeras, and Questa—places where Levi Lobo grew up. The cast includes McCallum (“ECHO”), Daniel Pattison (“Big Sky”), and Liesa Reece. Steve Graham, director of the New Mexico Film Office, praised the project for showcasing local talent and the state’s unique storytelling potential.

What’s interesting is how Levi Lobo got here. After his father, Gerald Donald Martinez, passed away in 2012, Lobo found acting through church plays. That grief became a catalyst. He started performing under the name Levi Dylan before adopting Lobo—a nod to his Aztec heritage and connection to wolves.

His family’s story already had a national spotlight once before. ABC’s “Extreme Makeover: Home Edition” featured them after they moved into one of Albuquerque’s roughest neighborhoods to serve the community. That dedication to service seems to have carried into Lobo’s creative work.

Through his production company EraCinema, Lobo’s got ten feature films in development. He’s also working on other projects including “The Apache” and “Consider the Violence.” Beyond acting, he’s a writer and painter—his 6×4-foot painting for “Tramp” stems from his 45,130-word historical fiction novel exploring Mestizo identity and displacement.

“If I can change one person’s life for the better through my work, I’ve succeeded,” Lobo said in a recent interview.

It’s a tall order, but given where he’s come from and what he’s building, it doesn’t sound like empty talk. The guy’s putting his roots and his grief into work that matters to him—and he’s doing it on his own terms.

When you’ve won over 80 national titles and 11 world championships, the question isn’t really what’s left to prove. It’s what comes next. For billiards champion Allison Fisher, that next chapter is taking shape through an unexpected partnership with award-winning entertainment producer Monty Hobbs, and it’s bigger than either of them might have imagined a few years ago.

Fisher and Hobbs just announced a wide-reaching collaboration that covers television production, children’s literature, and brand development. It’s not a one-off documentary or a quick licensing deal. They’re building something meant to last decades.

Hobbs runs Just Do GOOD Entertainment, the production company behind titles like Finding Kindness and Divine Renovation. His latest project, Secrets of Sampson, is a southern docu-drama series launching soon. He’s got distribution deals with Amazon Prime, Apple TV, Roku, Tubi, and UP Faith & Family, the kind of reach that turns regional stories into national viewing.

What caught his attention about Fisher wasn’t just her competitive record. It was the untapped potential in her story and what it could become across multiple formats. So they’re launching three major projects simultaneously.

First up is GRACE THE TABLE, an original television series where Fisher co-hosts alongside families, chefs, and cultural voices. The concept centers on meals and the stories that happen around them. Not competition, not instruction, just genuine human connection over food. Think less cooking show, more cinematic storytelling with comfort at its core. Hobbs is producing it with what he calls “radical nostalgia with global commerce potential,” which really just means making something that feels timeless but can travel worldwide.

The second project is a children’s book and youth empowerment series. It’s anchored in the values Fisher built her career on: resilience, character, emotional courage, but aimed at younger audiences. The plan isn’t to stop at one book. They’re looking at a full series, speaking curriculum, and digital learning materials. It’s designed to work in schools and youth programs, not just bookstores.

Third is the brand and licensing system. This covers everything from premium lifestyle collaborations to memoir-related content, archival digital collections, and streaming distribution. Essentially, they’re creating a framework to preserve Fisher’s legacy while actively using it across different platforms and products.

But the on-camera work has already started. Fisher’s confirmed to guest star in Episode Two of The Color of Kindness, a national series filming in Phoenix, Arizona. She’s not just making an appearance. She’s being written in as what they’re calling “a transformational narrative presence” in a show built around empathy and impact.

The public debut of this partnership happens December 6th in Clinton, North Carolina. Fisher will appear live alongside Erik Estrada, Blake Davis, and the cast of Secrets of Sampson at an industry event Hobbs is hosting. It’s part celebration, part official announcement, and likely the first real look at where all this is headed.

The timing makes sense when you consider where Fisher is in her career. She’s got decades of competitive history, growing digital visibility, and a public that genuinely respects what she’s accomplished. Hobbs has a track record of building media and brand systems with staying power. Put those together, and you’ve got an opportunity to do more than document a career. You can extend it into new territory entirely.

“This is not about capturing nostalgia,” Hobbs said. “It’s about engineering the next forty years of cultural relevance. Allison is not a chapter: she is a catalog.”

There’s a broader trend here worth noting. Sports legends are increasingly taking control of their own narratives instead of waiting for someone else to tell their stories. They’re building businesses, launching media companies, creating content platforms. Fisher and Hobbs seem to be ahead of that curve rather than chasing it.

Hobbs’ existing work supports the scale they’re aiming for. His projects blend streaming distribution with live events, civic tourism partnerships, and physical retail executions across smaller American cities that don’t typically get this kind of attention. Secrets of Sampson is following that same hybrid model. Fisher’s projects will likely benefit from that established infrastructure.

The partnership also has personal roots. Hobbs and Allison’s mother, Christine Fisher, have been close friends for years, a relationship he describes as full of laughter and fun.

What starts in Clinton on December 6th won’t end there. Fisher’s television work continues into next year. The book is in active development. The licensing framework is being built out. This isn’t a short-term publicity push. It’s infrastructure meant to carry forward for years.

For Fisher, it’s a way to take everything she’s built in one arena and translate it into multiple formats that reach different audiences. For Hobbs, it’s another example of finding stories worth telling and building systems that can tell them properly. Together, they’re betting on something meant to outlast both of them.