After years of PC exclusivity and several delayed release dates that kept console players holding their breath, Kinetic Games’ psychological horror hit Phasmophobia has finally crossed over to PlayStation 5 and Xbox Series X|S. The much-anticipated console version arrived just in time for last year’s Halloween season, and now, three months into 2025, it’s clear that this ghost-hunting simulation has found its footing in the console space, having already surpassed one million console sales.
Let’s face it – there’s something uniquely unsettling about creeping through a dark hallway with nothing but a flashlight and an EMF reader, knowing a vengeful spirit could be lurking around any corner. This is precisely the experience that has helped Phasmophobia accumulate nearly 22 million sales across all platforms since its original PC release in 2020, and now console players are getting their first taste of the nerve-wracking investigation gameplay.
Source: Kinetic Games
At its core, Phasmophobia drops up to four players into the shoes of paranormal investigators tasked with a deceptively simple mission: identify the type of ghost haunting a location. But here’s the catch – these aren’t your friendly neighborhood Caspers. These entities become increasingly hostile as your sanity meter drops, and trust me, it will drop.
The console version preserves the white-knuckle tension that made the PC release a streaming sensation. Each investigation plays out like a deadly game of supernatural cat and mouse, typically lasting between five to ten minutes – though it often feels much longer when you’re hiding in a closet, desperately hoping the ghost won’t find you. Every session writes its own unique story, whether it’s a quick identification turned deadly or a methodical investigation that goes horrifyingly wrong.
Source: Kinetic Games
However, the road to console hasn’t been entirely smooth. The early access release currently struggles with some notable limitations, particularly when it comes to the game’s signature voice recognition system. While PC players can verbally interact with spirits using tools like the Spirit Box, console players are currently restricted to predetermined questions activated by button presses – a solution that, while functional, loses some of the spine-chilling magic of having a real conversation with something that shouldn’t exist.
The control scheme adaptation has also raised some eyebrows. Despite the developers’ best efforts to translate the PC interface to controllers, some interactions feel a bit clunky. It’s nothing game-breaking, but veterans of the PC version might need some time to adjust to the new control scheme.
Source: Kinetic Games
Early access growing pains have manifested in other ways too. Players have reported various technical hiccups, from absent rain effects to finicky item interactions in hub areas. While these issues don’t dramatically impact the core experience, they serve as reminders that this is very much a work in progress.
The progression system has been another point of discussion among newcomers. Fresh-faced ghost hunters might find themselves frustrated by the lengthy grind required to unlock better equipment. Starting with basic tools feels authentic to the ghost hunting experience, but the time investment needed to access the more advanced gear has led Kinetic Games to announce upcoming adjustments to the progression curve.
Source: Kinetic Games
Yet despite these early access hurdles, Phasmophobia’s fundamental appeal remains hauntingly effective on consoles. The game still excels at creating those pitch-perfect moments of terror when the lights start flickering, and your flashlight begins to malfunction. The robust variety of ghost types – now numbering 24 distinct entities – ensures that no two investigations feel quite the same.
The game’s impressive array of locations continues to be a strong suit. From cozy suburban houses that prove anything but comfortable, to sprawling institutional settings like prisons and asylums, each map brings its own atmospheric challenges. The recent addition of the Point Hope lighthouse, inspired by its real-world Alaskan counterpart, shows that Kinetic Games isn’t content to rest on their laurels when it comes to expanding the game’s content.
Source: Kinetic Games
This console release marks a significant milestone for Kinetic Games, especially considering the challenges they’ve faced, including a devastating office fire that contributed to multiple launch delays. While some features still await implementation, the core experience that turned Phasmophobia into a horror gaming phenomenon remains intact and compelling.
For console players who’ve been watching from the sidelines, this early access release finally opens the door to join the ghost hunting community. Yes, there are rough edges to be smoothed out, but the foundation is rock solid. As development continues through 2025, console players can look forward to regular updates that will bring their version closer to feature parity with its PC counterpart.
Phasmophobia is available now in early access on PlayStation 5 and Xbox Series X|S, alongside the PC version that continues to evolve since its September 2020 debut. Whether you’re a seasoned ghost hunter or a curious newcomer, just remember to pack extra flashlight batteries – and maybe a spare pair of pants.
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The first thing that hits you about Siren isn’t just her voice—it’s the sheer audacity of someone who taught themselves everything. No formal training, no music theory classes, just pure instinct driving her to create something that sounds like Rammstein got into a late-night conversation with Lana Del Rey while Massive Attack played in the background.
At 24, this LA-based artist has already written around 70 songs, most still unreleased, sitting in her vault like secrets waiting to surface. Born June 13, 2001, Siren started making music in 2019, and what’s emerged since then defies easy categorization. Her sound pulls from trip-hop pioneers like Portishead, the industrial weight of German metal, and the cinematic drama of Tchaikovsky—yes, the Swan Lake composer.
“Every ache must be turned into art,” she says about her approach to music. It’s this philosophy that drives her self-described “raw confessions where melancholy meets beauty.” Her mezzo-soprano voice shifts between whispered vulnerability and soaring intensity, creating what she calls “cold waves of sound that mesmerize like a siren’s voice in the night sea.”
Siren
The artist’s journey started unexpectedly early. One of her most vivid childhood memories involves her grandmother singing Russian folk songs on a winter swing—an experience she describes as “blue, cold, wintry, dark, nostalgic, deep, soulful, and melancholic.” By twelve, she’d discovered Rammstein, which she credits with awakening “strength, courage, resistance, and the spirit of a fighter.” The band shaped about 60% of her musical taste, while Lana Del Rey, who she calls her “musical mother,” opened up the other side of her artistic personality.
What’s striking about Siren’s work is how she balances opposing forces. She describes her music as reflecting both her anima and animus—the feminine emotional vulnerability paired with masculine instrumental drive. This duality shows up everywhere in her sound: acoustic piano meets electric guitars, string arrangements collide with rock drums, trip-hop grooves support orchestral swells.
Her latest release, “Devil 2019,” dropped on August 3, 2025, running 3:28 and showcasing her hypnotic vocal control. But it’s just a taste of what’s coming. Her debut single “Siren Heroine,” released on June 13, previews her upcoming album “Blue Blood,” which promises an oceanic, siren-themed concept drawn from songs written three to four years ago.
Siren
Beyond music, Siren works as a visual artist, filmmaker, and photographer, creating her own visual concepts exactly as she imagines them. She admits to both loving and fearing the ocean—thalassophobia mixed with an obsession for deep blue imagery. “I reflect what I fear. I am what I fear,” she explains.
When asked about dream collaborations, she mentions Hans Zimmer, Rammstein, and Lana Del Rey—though she notes that most of her musical heroes are dead. Her approach to creation remains uncompromising: “I don’t write for people—I write for myself. Music is how I let you know me.”
JJ Tyson’s path into music started the way most teenagers’ dreams do — with a drum kit at 15 and some high school friends ready to jam. What’s happened since then reads like a rock autobiography that nobody saw coming.
The Pennsylvania native, who proudly notes his home state produced Poison, Halestorm, and Live, spent years drumming for popular local bands before stepping away for two years to write his own material. That break changed everything. When he reconnected with a former bandmate and released “Walk Away,” the song exploded online, racking up over a million views and birthing Black Water Greed.
“The popularity skyrocketed,” Tyson recalls. “Magazine covers, interviews — it all happened fast.” But success brought its own complications. Internal tensions split the band apart, leaving Tyson at a crossroads.
Rather than retreat, he pivoted. Working with producer David Mobley, he created The Tyson-Mobley Project, an album that performed well enough to convince him solo work was the next step. Four solo albums followed: “Back from the Ashes,” “Digital Mine Crime,” “The Other Side of Me,” and his latest, “Cellar Dweller.”
Released August 1st, 2025, “Cellar Dweller” doesn’t pull punches. The 18-track album stretches over an hour, diving into trauma, betrayal, and personal demons with the help of studio band Crosswindz and co-executive producer Mobley. Songs like “Unleash the Rage” and “Haunted Hallways” tackle isolation and survival head-on — no sugarcoating, no easy answers.
But here’s where Tyson’s story gets interesting. While “Cellar Dweller” delivers hard rock intensity, he’s simultaneously working on his second Christian album, “Army of Faith,” due late September, plus a Christmas album featuring 12-14 original songs scheduled for November. It’s a range that would give most artists whiplash.
The reason becomes clear when Tyson talks about his fans. “I write meaningful lyrics that have touched a lot of hearts,” he says. “Hopefully my message can help them cope with issues they may have.” He shares stories of listeners who’ve told him his music helped them through breakups and toxic relationships. One fan said he “wrote her life in five minutes.”
Looking ahead, there’s talk of touring in mid-2026, though for now, the focus remains on perfecting the music. His message to fans mixes rock attitude with spiritual conviction: “I love my hard rock roots but I love my messages I put in my Christian songs, to spread the word of God to the world. This world is falling apart and we need to pull together and love one another.”
His advice for others cuts through the typical music industry noise. “Just do your own thing and what makes you happy — it reflects on your fans, and they are the ones that make you or break you. Stay focused and loyal.” It’s the kind of wisdom you only get from someone who’s watched a band implode at peak success, rebuilt from scratch, and discovered that authenticity matters more than any genre boundary. The guy making rage-filled tracks about personal demons is the same one writing Christmas songs and Christian albums about bringing people together.
What stands out is how he treats fan loyalty as a two-way street. They’re not just consumers — they’re the reason he keeps pushing boundaries between hard rock and worship music, between anger and healing. When someone tells you your song helped them leave a toxic relationship, that changes how you approach your craft. Tyson gets that. He admits it’s been a long road, crediting the right connections and people along the way, but ultimately his message stays consistent: stay true, stay focused, and remember who you’re really making music for.
Fort Worth’s music scene has always been diverse, but Turo Rose is carving out his own lane with something different entirely. For the past three years, he’s been developing in own unique interpretation of what he calls “chill emo rap” – a sound that prioritizes emotional honesty over the braggadocio that typically dominates hip-hop. The independent artist recently started performing live and is working toward bigger exposure, with a Dallas show coming up in November and an upcoming album called “Demons” set to drop December 2025.
What makes Turo Rose stand out isn’t just his sound, but his motivation. Born and raised in Fort Worth, he’s struggled with his own obstacles over the years, and through music, he aspires to help others get through theirs as well. We caught up with him to talk about his journey, his approach to hip-hop, and what sets his music apart.
How would you describe your music to someone hearing it for the first time?
I’d describe it as chill emo rap. It’s not what you’d expect from most hip-hop coming out of Texas, but that’s kind of the point.
What do you hope listeners get from your music?
I hope they get the emotions from my music and that the vibes help soothe their own negative thoughts. I’ve been through a lot, and if my music can help someone else get through their stuff too, that’s what matters to me.
Was there a moment that made you realize you wanted to take music seriously?
Yeah, there was a point in my life where I felt like I lost everything I built. I was weighing my options in life and I already had a hobby with practicing my vocals and creating beats. After I saw some of my songs were getting high streams compared to other friends of mine that made music, it boosted my confidence up a little bit. That’s when I thought, maybe I can actually do something with this.
What’s the story behind “Message 2 You”?
Message 2 You I created as a farewell to my ex girlfriend. We had spent 7 years together and it was my first time being single since high school. It was rough, man. Writing that song helped me process everything.
How did growing up in Fort Worth shape your mindset as an artist?
There’s many different types of artists in Fort Worth. But when it comes to hip hop/rap, they mostly tell the same stories or rap about the same things. I wanted my music to be different and have a new take. Instead of rapping about guns, drugs, and violence I wanted to be on a more personal level with my audience. That’s just not my story, you know?
What can fans expect from your upcoming album “Demons”?
My newest album will have a more party style, sexual, fun vibe to contrast my older music telling more of a sad feeling. My personal favorite track from the album is called Demons as well which is why I decided to name the album the same. It’s going to show a different side of me.
Final Thoughts
Where authenticity often gets lost in the pursuit of viral moments and industry formulas, Turo Rose represents something refreshingly genuine. His willingness to be vulnerable in a genre that often rewards posturing suggests he understands something many artists miss – that real connection happens when you’re brave enough to tell the truth. While he’s building his career one song at a time, his approach indicates he’s not just chasing trends but creating something that could outlast them. That kind of artistic integrity, combined with his growing streaming numbers, positions him as an artist worth watching in Texas and beyond.